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"In a daring attempt to capture the raw energy of Parker's music . . . Raschka (pens) a text that's as lean as a poem and as mean as a blues refrain" ("Publishers Weekly", starred review). Full-color illustrations.
- Sales Rank: #64472 in Books
- Brand: Scholastic
- Published on: 1997-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 9.25" w x .25" l, .25 pounds
- Binding: Paperback
- 32 pages
- Great product!
Amazon.com Review
It would seem a riddle worthy of the sphinx: how do you give children a sense of jazz music without playing a note? Chris Raschka answers loudly and clearly with the illustrated, syncopated Charlie Parker Played Be Bop. This sparse, rhythmic, repetitive text (inspired by a recording of Parker's "A Night in Tunisia") embraces and reflects the sound and feel of jazz when read aloud: "Charlie Parker played be bop. / Charlie Parker played saxophone. / The music sounded like be bop. / Never leave your cat alone." Whether in complete phrases or in nonsense refrains that taste like music in your mouth ("Alphabet alphabet, alphabet, alph, / Chickadee, chickadee, chickadee, chick, / Overshoes, overshoes, overshoes, o, / Reeti-footi, reeti-footi, reeti-footi, ree."), Raschka brings melody to the page, and rhythm to eager ears.
Raschka, whose Yo! Yes? won a Caldecott Honor, and whose Mysterious Thelonious--another ebullient, musical exploration of a jazz legend--was named a 1997 ALA Notable Book, proves once again that he is just as at home with a paintbrush as he is with a pen. His bold, quirky illustrations add movement and light to the words, buoying their already lyrical effect. Charlie Parker Played Be Bop is a colorful, whimsical romp through the world of jazz, sure to set young and old toes a-tapping. (Ages 4 to 8) --Brangien Davis
From Publishers Weekly
Regardless of whether they've heard of jazz or Charlie Parker, young readers will bop to the pulsating beat of this sassy picture book. In a daring attempt to capture the raw energy of Parker's music (and in language recalling the verbal theatrics of Bill Martin Jr. and John Archambault), Raschka combines a text that's as lean as a poem and as mean as a blues refrain ("Charlie Parker played be bop. / Charlie Parker played no trombone. / The music sounded like be bop. / Barbecue that last leg bone") with vigorously skewed illustrations gleaming with sly wit. Even the typeface joins in the fun, as italics and boldface strut and swing across the pages. Those in the know will enjoy the inside jokes (the pages, for example, are decorated with birds, after Parker's nickname); young and old alike will find this a read-aloud that's hard to resist. And that's no jive. Ages 3-6.
Copyright 1992 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 2-- Despite its appealing, rhythmic cadence, this book doesn't evoke the music of Charlie Parker. The watercolor and charcoal pencil illustrations are funky and funny, but sometimes confounding. In particular, the characterization of Parker is overly stylized, resulting in a caricature rather than a character. The story line--of the musician's cat waiting for him to come home--will be lost on young readers; in fact, it will be apparent only to those reading the flap copy. Nicely designed, the layout makes effective use of different typefaces and appropriate sound words (``The music sounded like be bop . . . overshoes, overshoes, overshoes, o, . . . ''), but the nonsense phrases only increase the general confusion (``Barbeque that last leg bone . . . .''), as do some of the illustrations, particularly a boot with feet that ``hip hops'' through the pages. There is also an upside-down illustration of Parker that looks more like a mistake than a variation on the theme. This is an intriguing, but ultimately unsuccessful, attempt to illuminate jazz for young readers, who would be served far better by books like Thacher Hurd's upbeat Mama Don't Allow (HarperCollins, 1984) or Rachel Isadora's Ben's Trumpet (Greenwillow, 1979). --Cyrisse Jaffee, Newton Public Schools, MA
Copyright 1992 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Peaches
I LOOOOOVVVVE THIS BOOK AND SO DO MY KINDERGARTEN KIDS. WE PERFORMED EXCERPTS FROM THIS BOOK!
0 of 0 people found the following review helpful.
BOOK REVIEW
By K. Heywood
This is a great book. My 5 year old students loved it and read along with me on certain parts. Good way to introduce early aged readers to jazz legends.
16 of 17 people found the following review helpful.
Charlie Parker gets his due (in a manner of speaking)
By E. R. Bird
Chris Raschka refuses to be neatly cataloged, noted, and tucked away in a file somewhere. When this man writes a picture book you really get the feeling that he's put his spine and soul into it. I've had the mixed pleasure of reading a wide variety of Raschka titles in my day. There was the original if somewhat misguided "John Coltrane's Giant Steps", the ridiculously simple but fun "Yo! Yes?", and that remarkable and odd, "The Genie In the Jar". If there's one connecting thread between his various works, it's probably rooted in Raschka's deep and abiding love of music. He's the only picture book artist I can think of that's introduced kids to everyone from Thelonious Monk to (amazing but true) Nina Simone. For the first time, however, I've found a Raschka book that I could fall head over heels in love with. Usually I respect the man's work without ever really enjoying his books, if that makes any sense. With "Charlie Parker Played Be Bop", however, I think Raschka's really tapped into something amazing.
The book's like a single, long poem. The reoccurring phrase is, "Charlie Parker played be bop" with the final line always, "Never leave your cat alone". That means that a stanza sounds something like, "Charlie Parker played be bop / Charlie Parker played saxaphone / The music sounded like be bop / Never leave your cat alone". You get the picture. Occasionally, however, this book goes all-out silly on you, but with a rhythm that's hard to ignore. "Be bop. Fisk, fisk. Lollipop. Boomba, boomba". And suddenly there are lollipops and odd blue nosed animals tramping across the page in a line, obviously in touch with the beat of the song. Things get wilder and wilder as the song continues and sometimes you see long lines of overshoes (walking on cute little blue feet of their own), letters in the alphabet, and chickadees be bopping their way down the line. Finally, we hit the last, "Never leave your cat alone", and a miserable if resigned pussy stares wearily into the distance.
There's an insanity to this book that's difficult to find in other picture books today. Somehow Raschka has managed to tap into just the right crazy childlike vein. Kids may not understand what's going on in these pages (and who would?) but they'll enjoy it just the same. Raschka's toned down his illustrations in a way as well. Things are kooky here, but they make sense. This is a kind of jazz put to paper, so there's an order and form to the (at first glance) weirdness. The pictures all make sense, even if they place bright blue feet on animals or objects that don't usually sport them.
If you'd like to expand your child's mind but you just can't figure out how to do so in the best possible way, might I suggest the incredible "Charlie Parker Played Be Bop". It's loony and lovable and just the right combination of unpredictable elements all merging together at once. A truly wild and wonderful picture book. Well done, Mr. Raschka. Well done.
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